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Hygiene rail against the neoliberal madness of utility cartels, tax havens and privatised railways, seizing the moment as the current period of interregnum sees the old ideological certainties come into question. The Gotobeds - as Pittsburgh as it gets, the folk music of the Steel City - have more tar for us to swallow. Today we found a feather on the floor and released 'Angel' by Lunch Lady, a staggering debut album drawing on post-punk, kitsch and country balladry narratives to devastating effect! Available on LP red vinyl and black vinyl versions , CD and digitally today through Upset The Rhythm, 'Angel' can be found in all the best stores as of now and from our very own website hither. On , Dawson introduces us to grand themes through small lives. Within, we find disgruntled civil servants dreaming of better days, anxiety-addled joggers listlessly searching Zoopla for houses they cannot afford in their spare time, amateur footballers who think they're Lionel Messi and beleaguered pub landlords battling rising floodwaters.

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Maria Rossi's project utilises looped and layered vocals, field recordings and minimal synthesis to create alternately earthy and celestial raptures. Sotelo is a cosmic pop melodist, a heartfelt multi-instrumentalist whose direct songs are curiously affecting and this third album from him really sets the songwriting bar high before vaulting clean over it!

Following on from last year's huge-sounding 'I'm Terry' album, this third 7" EP from the band brings you right up to date with their wobbly politico-pop. Working from a dual framework of fortuity and precarity, Maria creates her own uniquely textured and ever-evolving world with sound.

Dawson is a singular voice, part savant-genius, part court jester; a songwriter whose subjects and characters are often drawn from the local, the historical and the colloquial, yet have a timelessness to them, his music echoing with voices past, present and future. She saved indulgence for the production.

NO HOME is the lo-fi rock solo project of Charlotte Valentine, who fuses the grunge and ambient songs of early 00s new york rock, with an urgent, captivating call to self preservation. Their music is vivid and deeply poignant, locking into vd magnetic pull between Rachel's flawlessly resonant folk cadence and Nick's pristine synth-pop production.

The group's angular tunes and buzzy guitar-fuelled attack billl the sound and vision of post-punk and indie rock and put the nervy snarl of punk back into the formula.

His are portraits of human beings struggling with recognisable and dare we say it, monsteao concerns, conflicts and desires, each reminding us that tragedy and gallows humour are not mutually exclusive, and that the magical can sit next to the mundane.

A limited run of boxsets, handcrafted by Thor and containing coloured vinyl editions monstrrao all the releases, will then be released at the end of the year. Trained at the Conservatoire Monstrso de Luxembourg, she moved to Scotland in and became involved in the music scene in Glasgow through promoting nights and making radio shows, before learning music production at Green Door studios.

Their alliterative lyrics always sharp as tacks, their sense of melody and beat sunk deep in the heart of now.

Today we found a feather on the floor and released 'Angel' by Lunch Lady, a staggering debut album drawing on post-punk, kitsch and country balladry narratives to devastating effect!

The esprit de corps and anxiety-free joy that permeates their other LPs and EPs remains intact. Hygiene rail against the neoliberal madness of utility cartels, tax havens and privatised railways, seizing the moment as the current period of interregnum sees the old ideological certainties come into question.

In her own territory between plaintive folk, pop and post-punk, dal Forno conjures the ghosts of AC Marias, Virginia Astley and Broadcast through her brushwork of art-damaged fx and spectral atmospheres.

His voice is a pliable instrument throughout, moving between weathered back bar-room sage, angelic falsetto and strident, rabble-rousing hellion chief choir boy of the underworld. Released on dal Forno's own imprint Kallista Records this October.

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Hailing from Glasgow, Kaputt race away with the playful torn edge of no-wave song, blurting out tracks with twitchy charisma, their catchy riffs circle with relish, allowing timely sax stonks and stop-start rhythms to drive things on. It is his poetic masterwork. Dal Forno connects with kindred spirits and finds refuge in darkened alleys, secret gardens and wherever else she dares to look.

There's a riot of fun at play in their febrile racket, but there's also some deeply cerebral grooves and choice lyrical concerns evident too. Check out 'Message Of Beauty', the video for the first single from the album! Melding his most melodic moments with flashes of choral dissonance, nerve-shredding crescendos, heartfelt laments and a deceptive finger-picking style.

And you're like, 'I would never have thought of that! The octane is high-test, the engine still has knocks and pings and the battery is overcharged.

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Cosmic pop melodist Robert Sotelo returns this September with his most expansive album yet! Shannon has been dominating the local scene in Los Angeles over the past two years, leaving everyone who witnesses completely breathless.

The resultant music is an elongated greeting and ode to Thor's community, his woodworking shop, and the instruments his hands shape and bring to life. However, this ever-so-slightly-more mature record finds the band taking advantage of the musicianship of their friends, mixing in the odd viola, glockenspiel, piano and keyboard.

The songs on 'Carnage Hall', Kaputt's debut album released by Upset The Rhythm this September, were influenced by the maelstrom of political hypocrisy and confusion in the air, the offbeat happenchance of life innotions of surveillance, identity personal as well as the biscuit-tin styled persona of the Scottish Highlandsindustrialisation and family. A relaxed ballad of drowsy farewells, swoons of violin and swirled clouds of organ drone, take a listen.

Lyrically it is by far Dawson's hardest-hitting and unflinchingly honest album to date. Here is an island country in a state of flux; a society on the edge of mental meltdown.